Owning the Song Is Only the Start: Inside Mokima’s Publishing Business
Mokima’s independent-publisher nomination puts attention on a less visible part of the music economy: the administration that connects a songwriter’s ownership to a working catalogue.

Written by
Battora × Mokima Music & Publishing
Being an independent music publisher is about far more than owning or administering copyrights. It is about understanding the journey of a song, from the moment an idea is created, through its development and release, to the many opportunities that can emerge from it over time. For Mokima Music & Publishing, that journey sits at the heart of what it means to be an effective publishing partner.
The work attached to a song
Every song carries a world of work behind it.
Beyond the recording itself are copyrights to be registered, writers and collaborators to be accounted for, royalties to be tracked, licensing opportunities to be pursued, and creative possibilities to be explored. A great song can travel far beyond its original release into film and television, advertising, brands, live performances, international territories and new recordings.
At Mokima Music & Publishing, the focus is on making sure that the work attached to every song is not overlooked. Administration and creative support work hand in hand to ensure that the value of a composition is properly identified, protected and developed.
Publishing is ultimately about making sure that the song continues to work, even when the original session has ended.
Where A&R meets administration
The strongest independent publishers understand that A&R and administration cannot exist in separate worlds.
A&R brings the creative ear: identifying exceptional writers, nurturing talent, understanding where a song could go and creating connections that can open doors. Administration brings the structure behind those creative ambitions: registrations, metadata, copyright management, royalty collection, licensing and accurate reporting.
At Mokima Brendon Taylor who is the A&R ensures these functions meet around one central idea: the song comes first.
Understanding a writer's creative journey makes the administrative side more effective, while strong administration gives creative work the foundation it needs to generate value. It is this combination of creative thinking and operational discipline that allows an independent publisher to be more than a rights administrator becoming a genuine partner to writers and creators.
Independence with something behind it
Being independent is often associated with freedom the freedom to make decisions quickly, build personal relationships and take a long-term view of an artist or songwriter's career.
But independence only becomes meaningful when there is substance behind it. For Mokima Music & Publishing, independence means combining agility with experience, personal relationships with professional systems, and creative ambition with the infrastructure required to protect and monetise intellectual property. It means being close enough to the music to understand the people and stories behind it, while having the knowledge and processes to ensure that the business of music is handled properly.
That balance is what gives an independent publisher its strength.
As Mokima Music & Publishing celebrates its nomination as Best Independent Music Publisher, the recognition represents more than a title. It reflects the often-unseen work that happens behind every song the relationships, administration, creative development and persistence required to help great music find its full value.
Related stories
Read next
Mpumi Phillips Knows What Happens After a Good Song
Before leading distribution at The Orchard, Mpumi Phillips worked where songs met television, publishers and the people deciding what audiences would hear. Her route from Ghetto Ruff and Sheer to a global distribution business is a story about hearing potential—and building somewhere for it to go.
Continue reading

